Tom Scutt’s smoke-colored costumes give the piece a timeless feel, as does his towering, sleek, steel-and-scaffolding set. “This is not your grandmother’s ‘Superstar.’ Drew McOnie’s choreography has the explosive feel of barely contained ecstasy, filled with flailing movements that evoke old time tent revivals where snake handlers spoke in tongues and miraculously cured the sick. ![]() “One of the greatest pieces of live theater I’ve ever seen” – Austin American Statesman
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